Missing Critiques

The following have not posted their weekly critiques here:
1. Stephen Baya
2. Priscilla Ayot
3. Annmarie Kubasu
4. David Maina Ndung’u
5. Domnic Odando Maina
6. Marley Sianto Sikawa
7. Cynthia Akinyi Kimola
8. Chiguzo Joseph Ruwa
9. Geoffrey Mwaura Njoroge
10. Lillian Chira
11. Ann Nduku Kimani

Post the critiques immediately or forego 20 marks from your final grade.

Be sure to check course outline and confirm that you have indeed submitted all the assignments stipulated.

Enjoy the festive season.

Rosemary

Sending Audio/Video File?

There is a free and very easy-to-use online service which allows us to send very large audio/video. This is what you need to do:

Go to https://www.yousendit.com/
Click on ‘Sign up’ in the top right corner of the screen
In the ‘Compare Plans’ columns, choose LITE Free Single User and click on ‘Sign up’
Enter your e-mail, your name and choose a new password.
Confirm password.
On the next screen you can read “Congratulations. Your account has been created”
Click on the green ‘Send now’ button Enter e-mail address of the person you want to send to thefile to (e.g rnyaole@daystar.ac.ke) in the ‘To:’ box
Write your name and ‘audio file’ in the subject line. A message is optional.
Click on ‘Select file’ and choose your audio file from your documents on your computer
Ignore the pay-per-use options Click on the green ‘Send it’ button on the bottom of the page.
Done
Why not give it a try?

Rosemary

Get Involved...

The world has become a global village as McLuhan predicted in the early 1960s. Technology is here to stay. So get involved.

I have decided to set the pace. My skype name is rosemary.kowuor. Also, remember to visit and leave comments at rosemary-nyaole.blogspot.com

Keep me posted on your personal blogs and technological adventures

Final Project Guidelines

In groups comprising of three members of COM 361 class, produce a one-hour Magazine programme aimed at addressing issues affecting target audience of Shine 103.1 FM. The subject matter of the individual items should itself be relevant and new to the listener.

Your final production must reflect high level of both scripting and technical professionalism. It must meet the following requirements:

1. Must comprise of at least five clearly defined and distinct segments with smooth flow of scenes, making use of radio transition devices (sound effects, music, silence etc) that support the overall theme of the Magazine.

2. Make a proposal for the Magazine programme. Identify the people you intend to interview and clearly define their role. Submit by 10th November 2010.

3. Provide a detailed routine sheet, which has to be submitted for approval, before the actual production of the programme, by 17th November 2010.

4. Make promos and signature tune for the programme. Submit by 17th November 2010. Make arrangements to have this aired on Shine 103.1 FM at least three times before your programme transmission.

5. Make a pitch of your programme, on 17th November 2010, to class and Shine 103.1 management to justify that your programme is good enough to be aired on the station.

6. Make arrangement with the Shine Management to have your programme aired before end of August semester. The transmission date and time of your programme MUST be within August 2010 semester and MUST be posted on class blog at least 2 days before tx.

7. The final copy, well-edited, high quality production MUST be saved in an CD and Shine Programme Manager (Abiud Onyach) on or before 1st November 2010.

8. Only broadcast quality programmes that meet Shine 103.1FM standards will be transmitted. At least one member of each group must be available in Shine 103.1FM live studio to oversee and monotor transmission of your programme. Notify the facilitator at least two hours before your programme goes on air.


Motto: Producing quality edutainment radio programmes!

GRATITUDE

I must say it was such an honour to work with all of you as your class representative.Things would have been difficult if not for your cooperation and Mrs.Kowuor's understanding and heart to correct us whenever we made mistakes.

Am sure we have all learnt something new and also made best ,what was better at the beginnig of this class.It has been a long journey and am happpy we have been able to complete it, though not all of us, due to unavoidable circumstances.

Thank you so much Mrs.Kowuor,you learnt from us and we surely have learnt so so much from you.

May the Almghty GOD, bless each and everyone of you.

I will surely miss this class(COM361,AUGUST 2010)

Success in your final exams.

sallyamutabi@yahoo.com
SELLY S.AMUTABI

KIKWETU SHOW

Our SWAHILI SHOW will be aired on the 9th of DECEMBER starting from 11am to 12noon.
PRODUCER PRISCILAH MURURI
EDITOR SELLY S.AMUTABI
DIRECTOR BABU ELLLY

NATUMAI HAMTABURUDIKA TU,BALI PIA MTAJIFUNZA MAMBO MAGENI.

sallyamutabi@yahoo.com

AUDIO PRODUCTION

CLASS FACILITATION

By beryl and hunja

SEQUENCE AND MAGAZINE PROGRAMME FORMATS

It is a lengthy slot generally between two and four hours such as morning show or drive show. It is designed with a specific audience in mind and tightly structured. With the emphasis on content. There should be some tightness but also a variety.

To maintain the programme consistency several factors must remain constant:

1.      Programme Title.

It is the signpost and should trigger memories of previous sections and provide clues for uninitiated. Titles like Women Hour. The title should stem from the programme aim and the extent to which the target audience is limited to a specialist group.

2.      Signature tune

Used to distinguish it from previous programming and also an additional signpost to make the listener turn up the volume also portray the style of the programme. As light hearted, urgent or serious. It includes 15 sec of the right music to establish the mood.

3.      Transmission time

Stations usually schedule with a series of sequences in fixed blocks of three or four hours. Its important to have the right presenters for each time slot

4.      The Presenter

The presenter regulates the tone of the programme by his/her individual approach to the listener. It can be Outgoing, quiet and companiable and so on. It is good to have two presenters who allow the listeners to form a relationship with them and the programme based on liking and trusting. The rotation of presenters is not that advisable.

5.      Linking Style.

It has its own consistent style. The way items are introduced, the amount and type of humor used number of time checks. The level of pitch of the whole programme remain constant. Off the cuff comment (spontaneous) need to be worked off in advance. The links enable the presenter to give additional information personalized comment or humor. How one handles links shows cohesiveness.

6.      Information Content

The more local the sequence is the more specific and practical the information it gives. If a programme is known for its information the spots must be distinctive, standardized in terms of timing, duration, style. The type of information depends the needs of the audience in the area covered by the station. Examples include News reports, Weather, Traffic information.

7.      Programme construction

The overall shape of the programme remains constant. The proportion of music to speech should stay roughly  the same between editions and if the content normally comprises items from 3 to 5 minutes duration ending with a featurette of 8minutes this structure should become the established pattern. Do not give most of the time to the feature it will become a documentary.

8.      Programme Variety

Each programme creates fresh interest and contains surprise. First subject matter of individual items should itself be relevant and new to the listener. Second order of items need to highlight different and maintain approach to listeners ear. Easy for Daily magazine show, News Magazine. The use of different voices, locations, actualities, music and strings produce brightness and variety.

9.      Programme Ideas

First records down all ideas even the flimsy ones. Second, note advance information on anniversaries and other feature events. Third cultivate wide range of contacts look at newspapers, trade journals, comics be a peoples person.

10.  Voice piece

A single voice giving information as with a news bulletin, situation reports or events diary used to give eye witness commentary or tell a story of I was there. It has its own colour and vitality. Addressed to the listeners pictorial writing in the first person and colloquial delivery. Its immediate to current events.

11.  Interview.

There are many types. Those that challenge reasons discover facts or explore emotions. The subheadings include vox pops or man in the streets and so on.

12.  Discussion.

Has two people of opposing sides or non-coincident views. Attempts to present a range of views as in multi-facet discussion.

13.  Music

It’s a component of a sequence, an item, concert performance or recording. It follows naturally upon previous item, or a follow up to a previous item. It acts as a link.

14.  Sound Effects

They stir the memory and paint the pictures. If overdone it becomes a cliché. E.g a sound effect of screeching breaks just before talking about accidents.

15.  Listener Participation

Like regarding a spot for letters and emails, responded to in a good manner. One should reference before answering them. A phone in spot shows immediacy and can provide feedback.

16.  Features

A magazine will include a place for a package of material dealing with a subject in greater depth than might be possible in a single interview. It’s referred to as a featurette. It can be an interview, place centered, topic centered. It’s a good means of distilling a complex subject and presenting its essential components.

17.  Drama

Weekly, Daily serial or book reading established a place in many programmes. it has some placing, intro music, consistent structure, familiar characters, single sense of style. It needs new events, fresh situations and people and occasional surprise. Drama can be used to make specific point.

18.  Item Order

One should have a programme order, set an overall style and decide on treatment on each individual item. In radio strong items are put at the beginning of a show to attract listeners to the show and devices to hold them till the end. Use of hooks designed to capture and retain listener’s attention.

19.  Production method

A regular magazine or sequence has to be organized on two distinct levels the long term and immediate. The long term allows for anniversaries, one –off editions booking of guests, on spots to form a series of several programme everyone involved has a specified brief and involvement.